Stand 15.05.2024

Günther Uecker

Lot 13
Ohne Titel (Baum), 2006
Wood

133 x cm

Lot 13
Ohne Titel (Baum), 2006
Wood
133,0 x cm

Schätzpreis:
€ 100.000 - 150.000
Auktion: 5 Tage

Ketterer Kunst GmbH & Co KG

Ort: Munich
Auktion: 07.06.2024
Auktionsnummer: 550
Auktionsname: Evening Sale

Lot Details
Nails, ashes and glue on Wood trunk. Signed and dated on the trunk. Height: 133 cm.
- Particularly impressive and densely nailed tree. - For the first time offered on the international auction market. - The nail symbolizes the vulnerability of nature and mankind.
This work is registered in the Uecker Archiv under the number GU.06.003 and has been earmarked for inclusion in the forthcoming Uecker Catalogue Raisonné.
Galerie Walter Storms, Munich. Private collection Southern Germany (since 2007, acquired from the above)
Günther Uecker is a constant commentator on the problems of the world and an unwavering fighter for understanding and change. He confronts things that bother him with openness and responds in his artistic language. With his "Trees" and "Forests", he addresses the theme of the vulnerability of man and nature. Under the title "Kunstpranger" (Art Pillory), he created his first tree sculpture in 1983 by nailing an elm tree at Galerie Brusten in Wuppertal. The idea was born in the fall of 1983 when Annelie Brusten happened to notice the forest workers in the park marking the 80-year-old elm tree. She learned that the ill tree was to be cut down and burned. Annelie Brusten brought the already well-known "ZERO" artist and art academy professor to Wuppertal. In his speech at the opening reception of the exhibition, Uecker decried the destruction of nature by man and declared the nails to be the "armor" with which he has "scaffolded the tree, made it strong". Further works, most of the multi-part creations, followed. The first “Nail Forest” from 1984 is at the Nationalgalerie in Berlin today. What all these works have in common is that Uecker equipped the sometimes smaller, sometimes larger tree trunks with a defensive crown of carpenter's nails and used a healing ointment consisting of ash and glue to close the tree's wounds. In the series of "Trees" or "Nail Forests", Uecker follows the basic principle of his artistic work, the theme of the fragile relationship between man and nature and the destruction of the foundations of human existence. [SM]
Condition report on request katalogisierung@kettererkunst.de
Lot Details
Nails, ashes and glue on Wood trunk. Signed and dated on the trunk. Height: 133 cm.
- Particularly impressive and densely nailed tree. - For the first time offered on the international auction market. - The nail symbolizes the vulnerability of nature and mankind.
This work is registered in the Uecker Archiv under the number GU.06.003 and has been earmarked for inclusion in the forthcoming Uecker Catalogue Raisonné.
Galerie Walter Storms, Munich. Private collection Southern Germany (since 2007, acquired from the above)
Günther Uecker is a constant commentator on the problems of the world and an unwavering fighter for understanding and change. He confronts things that bother him with openness and responds in his artistic language. With his "Trees" and "Forests", he addresses the theme of the vulnerability of man and nature. Under the title "Kunstpranger" (Art Pillory), he created his first tree sculpture in 1983 by nailing an elm tree at Galerie Brusten in Wuppertal. The idea was born in the fall of 1983 when Annelie Brusten happened to notice the forest workers in the park marking the 80-year-old elm tree. She learned that the ill tree was to be cut down and burned. Annelie Brusten brought the already well-known "ZERO" artist and art academy professor to Wuppertal. In his speech at the opening reception of the exhibition, Uecker decried the destruction of nature by man and declared the nails to be the "armor" with which he has "scaffolded the tree, made it strong". Further works, most of the multi-part creations, followed. The first “Nail Forest” from 1984 is at the Nationalgalerie in Berlin today. What all these works have in common is that Uecker equipped the sometimes smaller, sometimes larger tree trunks with a defensive crown of carpenter's nails and used a healing ointment consisting of ash and glue to close the tree's wounds. In the series of "Trees" or "Nail Forests", Uecker follows the basic principle of his artistic work, the theme of the fragile relationship between man and nature and the destruction of the foundations of human existence. [SM]
Condition report on request katalogisierung@kettererkunst.de

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- auf einen Blick !
Kunstauktionen - aus der ganzen Welt
Auf einen Blick !
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